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September marks National Recovery Month. The tagline, “Every Person, Every Family, Every Community,” emphasizes that recovery is possible for everyone. Treatment can save a life and can help people with substance use disorders recover from addiction’s powerful effects on their brain and behavior. Treatment and recovery make it possible for individuals, families, and communities to heal and thrive.

Since 1989, Recovery Month has been held every September to promote and support new treatment and recovery practices, the nation’s strong and proud recovery community, and the dedication of service providers and communities who make recovery in all its forms possible. Visit SAMHSA’s National Recovery Month website.

Recovery Month celebrates the gains made by those in recovery from substance use disorder. Read the CDC feature which promotes and supports understanding treatment and recovery options.

By Dave Swanson - Summit FM Contributor

Television - a device that allows a variety of entertainment into one's living room day after day after night after night. What a concept! From the earliest days of family entertainment up through cable and the countless streaming services and 'plus' programming, there is a lot to pick from. The days of shared viewing experiences and moments are long gone. You can watch what you want to watch at any given time. 

What some see as freedom of choice others see as too many cooks in the kitchen. As the great philosopher George Carlin once stated, "Too many choices! It's not healthy!" At one time, the boundaries of what you could say or get away with on TV changed, but in 2023, the boundaries have simply been washed away. Everything is fair game, and frankly, that's pretty boring. 

Forget the remote, get up and change the dial, if you will, to ABC, Feb. 5, 1969 if you want a real jolt. That was the debut and finale of one of the shortest lived and oddest shows in television history, 'Turn On.’ It was created by producer George Schlatter, who had come up with the hit series 'Laugh-In' two years earlier for NBC. Schlatter's next venture was a continuation, of sorts, from the gauntlet thrown down by Laugh-In, presenting social commentary, observation and comedy rolled into one tightly wound ball. 

‘Laugh-In,’ however, had interaction with the hosts, the guests and the viewer, 'Turn-On' adopted more of a barrage of ideas approach, hurling one bit after another at the viewer with speed and precision. Comedian Tim Conway was chosen to host the first episode. A few other familiar faces pop up including Teresa Graves, Hamilton Camp and Mel Stewart (soon to show up as 'Henry Jefferson' on 'All In The Family.' 

Like 'Laugh-In' and 'The Smothers Brothers,' 'Turn-On' was aimed at a younger audience, but also an audience open to over stimulation. The soundtrack was all generated synthesizer sounds, in hopes to give it a futuristic edge of sorts. It was originally conceived as "the first computerized TV show," and the look of it was somewhere between pop-art and retro-futuristic. References and one-liners were there and gone in a roller coaster ride of sorts and 29 minutes later, it was all over.  

"It was actually a hell of a television show,” recalled series creator George Schlatter on his website. "It all happened inside a white ball, with shadowless light, that gave us ‘infinity’. There was no audience; the 'audience reaction' was all done on a device that was brand new called the Moog synthesizer, instead of the normal applause and laughter." Even before its ill-fated airing the network had reservations and questions for Schlatter and crew, concerns over sketches pertaining to birth control, the Pop, and the Vietnam War. The episode, as well as a second unaired episode, only recently appeared online. 

"It was way ahead of its time," recalled Tim Conway in a PBS interview called 'Pioneers Of Television.'  "It aired first in New York and we were waiting for the reviews. As it came across the country, it was being cancelled. When it got to Ohio, they shut it off after fifteen minutes! We had the coming out party and the cancellation party in the same night!" According to Schlatter, a panicked viewer in Cleveland, Ohio kept calling the affiliates to complain about the show, without ever seeing it, his main goal being to keep Peyton Place on the air. 

The public had spoken and the show was indeed cancelled after one episode out of a scheduled 13. Though very short lived, the instant reaction made ABC a little gun-shy on future prospects. As the story goes the controversy surrounding 'Turn-On' led ABC to reject a new pilot whose lead character was a "foul mouthed bigot." That series, of course, was 'All In The Family,' which ended up on CBS, and the rest is history. 

By Marc Lee Shannon - Summit FM Contributor

Sometimes the hardest but the healthiest thing you can do for yourself is talk about those things you don't talk about. If you feel alone on your private island of isolation, hang on. Sometimes we all feel like nobody hears or cares about us. Well, I'm here to tell you that people do care. I care; my co-workers at The Summit FM and hundreds of others in the Falls, Akron, and Summit County. 

Right now, just stay standing. I want you to remember three simple numbers: 9-8-8. It's the Suicide and Crisis Lifeline. Hitting those three numbers will be the first step from 'overwhelmed' to 'healthy.' It's the next right thing; sometimes, that's all we need to do and think—the next right thing. Dial that number.

This wellness reminder comes with love and concern from the outreached hands of this amazing community we live in, and is brought to you today from everyone here at The Summit FM.

Steady on,
Marc Lee Shannon

Marc Lee Shannon (Photo by Angelo Merendino)

Minus The Alien is a hip-hop recording artist, songwriter, and producer from Akron, Ohio. His passion, unique voice, creative lyrics, catchy hooks, soulful harmonies and vocal arrangements -- combined with conscious subject matter -- sonically provides a formula that can be embraced by all ages. He was recently named as one of the 2021 top ten Akron rappers to check out by OkayPlayer.com. He is also the founder of a grassroots non-profit organization called Alien Arts, Inc. which teaches youth about the positive side of hip-hop culture.

Minus The Alien has had the privilege to open up for legendary hip hop pioneers such as Rakim, Souls of Mischief, Whodini, Slum Village and Casual. He has performed at various venues throughout northeast ohio including Jilly's Music Room, Canton Football Hall of Fame, The Bop Stop, The Odeon, Grog Shop, Lock 3 Live, Akron Civic Theatre, Blu Jazz, Musica, Canal Park Stadium, Akron Art Museum & Zimmerman Symphony Center. He has performed at several music festivals including Porch Rokr, Square Fest, Global Village Fest & Big Love Fest.

Minus The Alien has appeared on "Around Akron with Blue Green" which airs on PBS and has had several write ups in the Akron Beacon Journal, The Cleveland Plain Dealer and Spectrum News Ohio. His music can be heard in regular rotation on The Summit FM. 

The Summit FM reminds you that the best way to support the musicians you love is by buying merch directly from the artist!

By Dave Swanson - Summit FM Contributor

Hard rock is a true thing or beauty! That perfect balance of the almighty riffs put in motion by Chuck Berry and the other elder statesmen amped up in attack and volume to drive it all home. AC/DC took that approach, recast in their own unique spirit and truly transformed the genre. The great British band Status Quo can probably be credited with pioneering this approach, but AC/DC took it and ran with it. 

Formed in 1973, AC/DC consciously avoided the trappings of all rock that surrounded them: nothing sweet, nothing mystical, nothing pretentious, just straight ahead rock and roll. Original singer Dave Evans did a fair job, but fronting this band required someone more authentic. Enter Bon Scott, a few years older than the others, battle scars and war wounds to prove it, but also the voice.  

From 1975 through 1978 AC/DC released five albums, all absolute classics and all produced by Harry Vanda and George Young, both former members of Australia's greatest 1960s export, the Easybeats! George also happened to be the older brother of AC/DC guitarists Malcolm and Angus Young. Wanda and Young created the perfect template for hard rock production, a no frills, straight to the heart sonic attack.  

By 1978 the band were at their peak, and truth be told, you would have been hard pressed to find a better live act. I can honestly say, seeing AC/DC open for Thin Lizzy in 1978 remains one of the greatest concerts I have ever seen, and I have seen a lot! Following the '78 'Powerage' tour, everything seemed in place as the band headed back to the studio. 

The major change this time out would be in the role of producer. Atlantic Records decided all that was holding them back from the big time was a more radio friendly approach to their albums and tried to match up legendary producer Eddie Kramer who had worked with the likes of Jimi Hendrix, Led Zeppelin, Peter Frampton, and Kiss. Immediately AC/DC were unhappy and when initial sessions yielded nothing, they convinced their manager to get Kramer out, ultimately going with  Robert John "Mutt" Lange, who was able to help them produce a masterpiece called 'Highway To Hell.' 

Released in the summer of 1979 to universal acclaim, radio finally came around with the title track blasting out of radios everywhere. From start to end, it's an absolute classic. 'Walk All Over You,' ' Touch Too Much,' ;Girls Got Rhythm,' 'Shot Down In Flames' and all the rest present the AC/DC style  for their die-hard fans and new converts alike to rejoice in. The album hit Top 10 in the UK and No. 17 in the states. 

Sadly, of course, the story is without a happy ending as just over six months later, singer Bon Scott was found dead with the coroner’s report concluding that Scott had died of "acute alcohol poisoning" classified as "death by misadventure.” 44 years on, let the music play loud as we present 'Highway To Hell' as our Summit FM Album Essential for this week. 

By Dave Swanson - Summit FM Contributor

When the Beatles burst into American living rooms on Feb. 9, 1964 via the Ed Sullivan Show, they altered the direction of the universe. That's no exaggeration! There was the world before the Beatles, and the world after. What we have now is the world after the world after, which is a big room in a lot of disarray, most of the old paint peeled off the wall, but a few of the original layers still able to peek through. 

The music of the Beatles startled and shook the music world to the core. Countless musicians sited that Sullivan show as the moment they knew they wanted to be a musician while others less musically inclined still pointed to it as a 'one day the world was suddenly in full color' moment. A huge reason the Beatles were not dismissed as temporary entertainment and fodder for the kids was because even those of an older generation knew there was something more to their music than a typical teenage come hither or empty calorie sugary beverage. There was, ahem, substance! 

Not wanting to seem like unhip day old bread, countless artists recorded Beatles songs who otherwise wouldn't have given a second listen to these 'long haired' kids from across the pond. Acknowledgement came from the likes of Leonard Bernstein to Frank Sinatra over time. Sinatra famously recording a version of George Harrison’s ‘Something,’ referring to it as the finest Lennon/McCartney composition. It was the thought that counted. 

Beatles songs were recorded in the mode of easy listening, country, folk, orchestral, jazz, electronic, you name it with nearly all versions succeeding at one level or another, simply because of the quality of the songs. Here then are a handful of Beatles interpretations, some to be take less seriously than others, but all sincere in their homage. Trust me, there's plenty more where these came from! 

Eleanor Rigby - Tony Bennett – (1970)  

From the album ‘Tony Sings The Hits Of Today’) 

The Beatles reach extended far, even to the likes of one of the world's greatest singer, Tony Bennett. On his 1970 album, 'Tony Sings The Hits Of Today,' Bennett does just that by including three Beatles songs - 'Something,' 'Here, There and Everywhere,' and a dramatic take on 'Eleanor Rigby.' Bennett transforms the song into theater by reciting the verses before swooping in for a majestic vocal on the chorus. The dramatic horns punctuate the arrangement for full theatrical effect. 

It Won't Be Long - The Quick (1976)  

From the album: 'Mondo Deco' 

The Quick were a shining light on the Los Angeles music scene in the mid-70s. Sunset Strip Svengali Kim Fowley took the band under his wing and got them a record deal. and produced their 1976 debut, 'Mondo Deco.' Though it never made the charts, it did make a lasting impression on those of us who heard it. Inspired, brilliant pop music on the cusp of Glitter and Punk before the one had truly faded and the other had yet to fully announce itself, it remains a power pop classic. Their revamping of the Fabs' 'It Won't Be Long' owes more than a slight debt to the influence of Sparks. Members of the Quick would go on to work with such combos as the Weirdos, Rembrandts, the 3 O' Clock and the Dickies (who started out as Quick roadies!).

Strawberry Fields Forever - Peter Gabriel (1976) 

From the album: 'All This and World War II' 

All This and World War II'  was a film from 1976 that, billed as a musical documentary, was to feature World War II newsreel footage and  scenes from war films with Beatles music as the soundtrack. Weighing out costs and future earnings, the film's produces opted for other artists to cover Beatles songs instead. The film received less than stellar reviews but the album has remained a curiosity piece, one reason in particular, it featured the first solo recording of Peter Gabriel. His take on 'Strawberry Fields Forever' is actually pretty wonderful. His voice shines atop a fully orchestrated backdrop that tips hat to the original while adding a more grandiose approach. You want a long lost Gabriel track? Here it is. 

Tomorrow Never Knows - 801 (1976) 

From the album '801 Live'  

801 were a side project of Roxy Music guitarist Phil Manzanera who, along with such friends as Brian Eno, Francis Monkman, bassist Bill MacCormick and drummer Simon Phillips, created one of the eras most unique one-offs with '801 Live.' Release in late 1976 (not until 1978 in the US) it is a glorious album featuring excellent musicianship and unique arrangements. The version of the Beatles groundbreaking 'Tomorrow Never Knows' defiantly avoids trying to copy the original and transports the listener to a different place entirely. The unique take on this psychedelic classic shows the composition in a different light and succeeds on its own terms. 

Ticket To Ride - The Carpenters (1969) 

From the album ‘Ticket To Ride’ 

Karen Carpenter's sweeter than sweet vocal and Richard Carpenter's knack for knowing just what kind of arrangement a song is crying out for put the Carpenters in the charts and the hearts of American in the early 1970s. In 1969, they released their debut album, originally titled 'Offering,'  later retitled Ticket To Ride,' it featured their own interpretation of the Beatles 1965 hit. The original has that wonderful stilted drum pattern from Ringo and chiming 12-string guitar. The Carpenters dismantled the song, turned it inside out, and made it a plaintive ballad with Karen's heartbroken voice front and center. It would be the first Carpenters single to chart and though only making No. 54, it's where it all started. 

Help! - The Damned (1977) 

From ‘New Rose’ single b-side 

The best British 'punk' band ever was the Damned! There, I said it! They captured the attitude, spirit and spark of the original movement better than any of 'em! The first to release a single and album and the first to make their way to America, yet eclipsed in notoriety, sales and history books over the years. Sad fact but, they're still standing with a new album released this year and another world tour. Released in October 1976, 'New Rose' was a call to arms. It’s a frantic, aggressive musical blast of energy that beat the rest of the UK punk scene to the record shops. Their take on 'Help,' found on the b-side, is twice the speed of the original with any tears replaced by anger. 

By Ryan Humbert - Summit FM Contributor

Americana music has been around for a lot longer than most people realize, going as far back as, say, The Flying Burrito Brothers and Gram Parsons, to name just two. The biggest issue is that most folks didn't know what to call it. Alt-Country? Roots Rock? Twangcore?

While it's certainly had a mild identity crisis over the years, it doesn't matter what you call it -- it's always been a mixture of traditional American music genres -- folk, country, blues, bluegrass, soul and more.

Here are five smoking-hot new songs for August 2023 -- enjoy!

Don't forget to tune into the Americana Roundup, every Sunday morning from 9 to 11AM on The Summit FM -- hosted by Ryan Humbert, lead singer of the Shootouts. For more information, visit AmericanaRoundup.com.

Daniel Tashian - "Night After Night"

Daniel Tashian has always been on the fringes of the Nashville music scene, creating beautiful records full of well crafted songs with his band The Silver Seas, as well as producing for artists as massive as Kacey Musgraves. His newest solo album "Night After Night" was quietly released earlier this year and features a strong collection of co-writes with Nashville songwriting legend Paul Kennerley.

Kyle Nix & The 38's - "Close The Bets"

While Kyle Nix is certainly keeping busy with his "day job" as a member of Turnpike Troubadours, he's still found time to record a new album with his band The 38's. I think you're going to like this barnburner of a track!

Lori McKenna - "Killing Me" Feat. Hillary Lindsey

Lori McKenna is songwriting royalty. Her songs have been covered by the likes of Tim McGraw, Lady Gaga, Little Big Town and many more. Her new album "1988" is another winning collection of quiet yet sharp folk-rock, filled with her usual brand of exquisite storytelling.

Robert Finley - "What Goes Around (Comes Around)"

After decades of performing semi-professionally followed by time away from music, Robert Finley made a comeback in 2016. Shortly thereafter he teamed up with Black Keys leader (and Akron native) Dan Auerbach and has been making smart and sturdy blues records ever since. His new one, "Black Bayou," features this catchy slice of soul!

Margo Price - Stranger in a Strange Land

As one of the leading torchbearers for the Americana genre, Margo Price is everywhere right now -- including the upcoming Leon Russell tribute album. Here's her spirited cover of "Stranger in a Strange Land!"

By Dave Swanson - Summit FM Contributor

'Sailin' Shoes,' the sophomore effort from Little Feat, delivered on any promises put forth on their debut, yet changed up their approach a bit at the same time.  Released in 1972, 'Sailin' Shoes' was somewhat out of step, no pun intended, with so much of what was happening that year. A banner year for hard rock, progressive rock, and glam, new sounds and styles were the order of the day and to some extenet, Little Feat seemed like a holdover trading in blues, folk, and country sounds and a more earthy approach. 

There was, however, so much more going on with the songwriting of Lowell George, the sharp delivery of the band, and the ace production of Ted Templeman, that Little Feat were hardly yesterday’s news. 

Opening with the warm and inviting classic 'Easy To Slip,' the listener is pulled into a wonderful musical ride.  Songs like 'Willin',' 'Sailin Shoes,' A Apolitical Blues,' and 'Trouble sit very tall in the Little Feat catalog. These have been covered by everyone from Van Dyke Parks to Van Halen and Bob Weir to the Black Crowes. 

A real highlight is the straight on rocker 'Teenage Nervous Breakdown,' later covered by Nazareth, and the raucous 'Tripe Face Boogie.' showed the band could kick it out with the best of ‘em. If you need a comparison, of sorts, the album lands itself somewhere between the intersection of NRBQ and Rolling Stones Avenues, and that’s a pretty cool place to be. 

The band would soldier on through the '70s, changing styles and course as the mood struck, with the band coming to a halt with the death of Lowell George in 1979 at age 43, of a heart attack. His legacy and the band's catalog have a secure place in the hearts of fans worldwide, but 'Sailin' Shoes' was arguably their finest hour. The album was recently released in a deluxe Anniversary Edition. Enjoy as we present this week's Summit Essential. 

Hear tracks from "Sailing Shoes" all day long, one song per hour, this Thursday August 24th as our Summit Album Essentials!

By Brad Savage - Summit FM Program Director

On The Summit FM, you hear "Cruisin' The Decades - 100 Years of Music" each Friday at 5:00 pm! It has become a major "labour of love" for me to find and select the songs, as well as host this show. In fact, in many ways this "deep dive" into music history has led to me personally acquiring more and more and more physical media for my record collection, and spending more time than ever on "old" music.

It's funny because I absolutely love new music, emerging artists, local, and cutting edge new bands. Part of my job is to keep on top of new releases and know about the newest bands. But, there is magic is these classic recordings. This "Cruisin'" material is where it all came from, and it's the roots of modern music.

"Cruisin' The Decades: Global Edition" is now heard on 38 independent radio stations across the USA, Canada, Germany (shortwave radio), New Zealand, and now in Roatan, Honduras (Bay Islands). It is a global radio show and the mission and the concept is a love of music and the magic of the airwaves!

Here are some old songs I have been recently enjoying!

Les Baxter "The Poor People Of Paris" (1956)

Gosh, I just love this song. It's such a jolly and beautiful tune. It's a #1 hit from 1956 and remember as you listen: this is the same time that Rock & Roll was just beginning to happen. What a time for music history!

Bukka White "Shake 'Em On Down" (1937)

The '30s is ground zero for the classic blues which influenced pretty much, well... EVERYTHING. These songs are amazing. There are so many classic blues artists to discover and enjoy!

Maddox Brothers & Rose "I Wish I Was A Single Girl Again" (1948)

The roots of Country or "Hillbilly" music -- this group is amazing. This song is so silly. Just listen to the lyrics! I found this because of the Cruisin' show; I never knew this group existed prior to the start of this radio program.

Jonathan Edwards "Shanty" (1971)


Athens County, Ohio, 1971 - the great Jonathan Edwards begins his career. Here is a weekend kick-off anthem about takin' it easy for the enjoyable weekend days. Long days, summertime, Athens County, what could be better?

Robbie Robertston "Somewhere Down The Crazy River" (1987)

Friends, we've lost a massive icon in music. Robbie Robertson (The Band) is a legend. He recently passed away at age 80. Take a listen to this 1987 masterpiece from his first solo LP, produced by Daniel Lanois. 

By Laura Smiley - Summit FM Sales Director

Main Street Kent is a non-profit organization focused on the revitalization of downtown Kent, OH, and is affiliated with the National Main Street and Heritage Ohio Programs.

Main Street Kent invites listeners to ‘Crafty Crawl,’ Sunday, August 29th, featuring craft beers, arts and crafts, live music and food trucks at each of Kent's three breweries.

For a complete list of events, mainstreetkent.org

Some of the things Main Street Kent does to keep downtown Kent alive and thriving are:

  • Adopt-A-Spot flowerbed and hanging flower basket program
  • Business facade restoration
  • Graffiti removal & Clean Up Kent days
  • Events showcasing cultural diversity, arts, and fun for all ages

Main Street Kent supports local businesses’ marketing efforts, and create events throughout the year that encourage people to shop, eat, and enjoy downtown Kent — because these days, Kent has a lot to offer!

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